SAM announces 2016 Indigenous Ceramic Art Award (ICAA) shortlisted artists.

2016 ICAA artists Shortlisted.

Shepparton Art Museum (SAM) is delighted to announce the seven shortlisted artists and arts collectives who will present an exhibition in the 2016 Indigenous Ceramic Art Award (ICAA). The Award celebrates and supports the rich and diverse use of the ceramic medium by Indigenous artists and acknowledges the special industry of ceramic art. The winner of the $20,000 acquisitive prize will be announced during the exhibition official opening event, Saturday 20 August 2016.

The 2016 shortlisted artists are:

  • Janet Fieldhouse, Torres Strait (QLD)
  • Deanne Gilson, Wadawurrung/ Wathaurung (VIC)
  • Sean Miller, Kamilaroi (NSW)
  • Raymond Young, Gunnai / Yorta Yorta/ Gunditjmara (VIC)
  • Alison Murray, Girramay (QLD)

    Gallery Kaiela Artists (VIC)

  • Jack Anselmi, Yorta Yorta
  • Cynthia Hardie, Yorta Yorta

    Ernbella Women Potters, Pukatja Community – Pitjantjatjara Language (SA)
  • Lynette Lewis
  • Yaritji Jack
  • Marissa Thompson
  • Anne Thompson
  • Tjimpuna Williams
  • Janelle Thompson
  • Rachael Mipantjiti Lionel
  • Alison Milyika Carroll
  • Carlene Thompson

In 2016 the ICAA attracted applications from around the country. The seven shortlisted applicants have been invited to present a substantial body of new work for display at SAM from 6 August to 25 September, 2016. Accompanying the exhibition will be a series of cultural programs that will provide skills and knowledge exchange.

Judging the finalist in the 2016 ICAA are: Tom Mosby, CEO, Koorie Heritage Trust Inc; Kimberley Moulton, Senior Curator South Eastern Australian Collections, Melbourne Museum; and Dr Rebecca Coates, Director, Shepparton Art Museum.

The 2016 ICAA will be curated by Project Curator Joanna Bosse and Belinda Briggs, Curatorial Assistant – Indigenous Visual Arts.

The ICAA is developed in partnership with the Sir Andrew and Lady Fairley Foundation, Margaret Lawrence Bequest and Mr Allan Myers AO QC and is generously supported by Fairer Futures Fund / Australian Communities Foundation.